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The Olympus M.ZUIKO Digital 17mm f/2.8 is a moderate wide-angle “pancake” lens for the Micro Four Thirds system. Offering a 17mm focal length that’s equivalent to 34mm in 35mm terms and a relatively bright maximum aperture of f/2.8, the M.ZUIKO Digita...
The Olympus M:ZUIKO Digital 17mm f/2.8 is an adorable, tiny lens that looks great on any compatible camera, especially the retro Olympus PEN E-P1 and E-P2 for which it was designed. Optically though, it's a bit of a mixed bag. Its sharpness and resolv...
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The Olympus M.Zuiko 17mm f/2.8 is another pancake lens available for micro-four-thirds system cameras. The lens is either sold as part of a camera kit with the Olympus E-P1 or separately for about 260€/300US$. Its field-of-view is equivalent to about...
The Olympus M.Zuiko 17mm f/2.8 is a lovely little lens but unfortunately it does disappoint regarding its optical capabilities. You expect a top notch performance from a prime lens but the Zuiko isn't overly sharp neither at max. aperture nor stopped...
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whatdigitalcamera.com Updated: 2013-04-21 03:18:34
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This is a slightly disappointing curve but the results are impressive across the most-used apertures given the wide angle-of-view offered...
Ultra wideangle view...
Very high price...
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Optically, the lens performs well, though not exceptionally: its reasonably sharp wide open, though best used at ƒ/4, and chromatic aberration is higher than wed like. Distortion and corner shading are very reasonable. In terms of sheer portab...
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The lens takes 37mm filters and is expected to be available in July 2009 with an approximately price of $300. The lens is also available in a kit configuration with the E-P1.Sharpness The 17mm ƒ/2.8 is a fairly sharp lens wide open at ƒ/2.8, though its op...
Optically, the lens performs well, though not exceptionally: it's reasonably sharp wide open, though best used at ƒ/4, and chromatic aberration is higher than we'd like. Distortion and corner shading are very reasonable. In terms of sheer portability, it'...
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We've had the opportunity to analyze the image quality of Panasonic's high-end 16-Mpix Lumix DMC-GX7 mirrorless camera with over 70% of the native mount lenses that are currently available (for it). We've scrutinized a total of 33 Panasonic, Olympus and S...
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The Olympus OM-D E-M1 is the new flagship model in the range and features a newly-designed pro-grade body and a modified 16-Mpix sensor incorporating on-chip phase-detection pixels for backwards compatibility with the firm's 4:3 lenses. While we've not an...
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We've analyzed the image quality of 33 lens models, around 70% of the current range using the native MFT mount, on the new Olympus OM-D EM-10. Read onto find out which of those lenses perform best and which, if any, you should try and avoid when paired wi...
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We've analyzed the image quality of 33 lens models, around 70% of the current range using the native MFT mount, on the new Olympus OM-D EM-10. Read on to find out which of those lenses perform best and which, if any, you should try and avoid when paired w...
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Following the lens recommendations for Lumix DMC-GX7 we've now analyzed the image quality of Panasonic's diminutive GM1 with over 33 lenses to assess the imaging characteristics specifically with the new camera. Read on to find out which of those models y...
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The Olympus OM-D E-M1 is the new flagship model in the range and features a newly-designed pro-grade body and a modified 16-Mpix sensor incorporating on-chip phase-detection pixels for backwards compatibility with the firm's 4:3 lenses.While we've not ana...
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As with previous guides, this review is intended to help you make the right choice when selecting lenses, in this instance, for the micro Four Thirds Olympus OMD E-M5 and the rival offering from Panasonic, the Lumix DMC-GH3. These two flagship models shar...
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We've had the opportunity to analyze the image quality of Panasonic's high-end 16-Mpix Lumix DMC-GX7 mirrorless camera with over 70% of the native mount lenses that are currently available (for it). We've scrutinized a total of 33 Panasonic, Olympus and S...
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